From a table piled high with pedals, cables, microphones and devices Chora create contorted soundscapes improvised from typically inaudible electronic signals. A tumbling mass of white noise, at points coalescing into fragmentary rhythmic structures and snatches of ghostly vocal utterances.These second-hand sounds seemed to reflect the space back towards the audience, amplifying our physical positions. A perfect echo to the collectivity which was expressed in all the performances throughout the day.

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